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Friday, July 23, 2010

How to sing the Blues


HOW TO SING THE BLUES

by

Lame Mango Washington

(attributed to Memphis Earlene Gray with help from Uncle Plunky, revisions by Little Blind Patti D. and Dr. Stevie Franklin)

1. Most Blues begin "Woke up this morning."

2. "I got a good woman" is a bad way to begin the Blues,

'less you stick something nasty in the next line, like " I got a good woman, with the meanest face in town."

3. The Blues is simple. 

After you get the first line right, repeat it. Then find something that rhymes ... sort of:
"Got a good woman - with the meanest face in town. Got teeth like Margaret Thatcher - and she weigh 500 pound."

4. The Blues is not about choice.

"You stuck in a ditch, you stuck in a ditch; ain't no way out."

5. Blues cars:

Chevys and Cadillacs and broken-down trucks. Blues doesn't travel in Volvos, BMWs, or Sport Utility Vehicles.
Most Blues transportation is a Greyhound bus or a southbound train. Jet aircraft an' state-sponsored motor pools ain't even in the running. Walkin' plays a major part in the blues lifestyle. So does fixin' to die.

6. Teenagers can't sing the Blues.

They ain't fixin' to die yet. Adults sing the Blues. In Blues, "adulthood" means being old enough to get the electric chair if you shoot a man in Memphis.

7. Blues can take place in New York City but not in Hawaii or any place in Canada.

Hard times in St. Paul or Tucson is just depression. Chicago, St. Louis, and Kansas City still the best places to have the Blues.
You cannot have the blues in any place that doesn't get rain.

8. A man with male pattern baldness ain't the blues.

A woman with male pattern baldness is. Breaking your leg cuz you skiing is not the blues. Breaking your leg cuz an alligator be chomping on it is.

9. You can't have no Blues in an office or a shopping mall.

The lighting is wrong. Go outside to the parking lot or sit by the dumpster.

10. Good places for the Blues:

a. highway
b. jailhouse
c. empty bed
d. bottom of a whiskey glass

Bad places:

a. Ashrams
b. gallery openings
c. Ivy League institutions
d. golf courses

11. No one will believe it's the Blues if you wear a suit, 'less you happen to be an old ethnic person, and you slept in it.

12. Do you have the right to sing the Blues?

Yes, if:

a. you're older than dirt
b. you're blind
c. you shot a man in Memphis
d. you can't be satisfied

No, if:

a. you have all your teeth
b. you were once blind but now can see
c. the man in Memphis lived.
d. you have a retirement plan or trust fund.

13. Blues is not a matter of color. It's a matter of bad luck.

Tiger Woods cannot sing the blues. Gary Coleman could.
Ugly white people also got a leg up on the blues.

14. If you ask for water and Baby give you gasoline, it's the Blues.

Other acceptable Blues beverages are:

a. wine
b. whiskey or bourbon
c. muddy water
d. black coffee

The following are NOT Blues beverages:

a. mixed drinks
b. kosher wine
c. Snapple
d. sparkling water

15. If it occurs in a cheap motel or a shotgun shack, it's a Blues death. 

Stabbed in the back by a jealous lover is another Blues way to die. So is the electric chair, substance abuse, and dying lonely on a broken down cot.

You can't have a Blues death if you die during a tennis match or getting liposuction.

16. Some Blues names for women:

a. Sadie
b. Big Mama
c. Bessie
d. Fat River Dumpling

17. Some Blues names for men:

a. Joe
b. Willie
c. Little Willie
d. Big Willie

18. Persons with names like Sierra, Sequoia, Auburn, and Rainbow can't sing the Blues no matter how many men they shoot in Memphis.

19. Make your own Blues name (starter kit):

a. name of physical infirmity (Blind, Cripple, Lame, etc.)
b. first name (see above) plus name of fruit (Lemon, Lime, Kiwi,etc.)
c. last name of President (Jefferson, Johnson, Fillmore, etc.)

For example, Blind Lime Jefferson, or Cripple Kiwi Fillmore, etc.

(Well, maybe not "Kiwi.")

20. I don't care how tragic your life: you own a computer, you cannot sing the blues.

You best destroy it. Fire, a spilled bottle of Mad Dog, or get out a shotgun. I don't care.




back to (and thanks to)

aNaLoG.MaN

"We're Smokin' Herb! Hope ya'll are too!!"






Many, many thanks to the SmokinHerbBand ... 

and, of course, to Robert Johnson, the man at the crossroad. 


Eingestellt von WhiteAxxxe um 3:46 PM 0 Kommentare
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Saturday, July 10, 2010

An Open Letter To All Ya Hip-Hoppers - LESEN! READ! if you can ...

(Dieser Artikel ist eigentlich aus dem Jahr 2007, aber leider immer noch aktuell.)


Da bekomme ich (ich ... man glaubt es ja nicht:-() heute einen Kommentar von einem Deutsch-HipHopper (wer ist eigentlich auf die Idee gekommen, das ganze Gemurkse als "deutsch" zu adjektivieren? Das ist kein Deutsch, beinhaltet jedenfalls keine deutsche Grammatik, das, was da am Start ist.) Und er bittet mich, mal seinen neuen Track "auszuchecken".

Wie ich so bin, mache ich mich vorurteilsfrei ans Werk. Ja, ich kann tolerant sein. Es fängt also genauso an, wie immer: hmpf - tak - hmpf - takatak ... 80 bpm oder so, miliionenmal gehört, immer Scheisse gefunden, aber mal weiterhören, vielleicht ist da ja endlich mal was dran.

Nix ist dran. Ich nenne den Namen des Sprach-Endlösungs-Suchers-und-wahrscheinlich-auch-Finders nicht, ich möchte ihm keine Clicks verschaffen und Mitschuld tragen am Totaluntergang der bildungsfernen Schichten.

Also dieser Hauptschul-Abbrecher aus Überzeugungsgründen ("ey, Alda, ey, das hat echt alles keinen Groove, ey, weisdu, in mein Brotherhood hat keina Bock auf son Abschlussfuck ...") nuschelt irgendwas. Man kann Fetzen erahnen von "Berlin" (mit englischem Akzent, kommt mehr stylisch), "Schwanzlutscher", "schwul", "kotzt mich an" oder so ähnlich und so weiter. Man kennt das. Die sind so bildungsfern, die kriegen nicht mal Ihre eigene Misere beschrieben, hacken auf intelligenzbegabten Bevölkerungsgruppen rum, checken nichts von wegen Toleranz, geschweige denn bringen sie ansatzweise Gedanken an etwas wie organisiertem Klassenkampf auf die Reihe. Und HartzIV schreiben sie mit s ...

Mach denen mal bitte einer eine Verbindung zu Che Guevara ... aber dalli. Und zum alpha-Telefon Münster.

Es ist unerträglich, auf welchem Niveau sich einige unserer Mitbürger rumtreiben müssen, wie sie dahinvegetieren, intellektuell gesehen.

Man müsste denen mal erklären, dass, wenn man mit Sprache arbeiten möchte, diese Sprache dann bitte auch ansatzweise beherrschen sollte. Wenn man einen Nagel in die Wand schlagen will, dann muss man mit dem Werkzeug Hammer irgendwie klarkommen. Wenn man Texte verfasst, sollte man das Werkzeug Sprache soweit beherrschen, das man sich verständlich machen kann. Aber bei HipHoppern ist völlig Fehlanzeige diesbezüglich. Die wissen nicht, was ein Hammer ist, und wollen einen Nagel in die Wand "hämmern"! Hallo?? "hämmern" .... Merkt ihr was?? Da steckt das Wort "Hammer" drin, "hämmern" ist ein Tu-Wort, das sagt, was man tut, und "Hammer" ist ein Ding-Wort, das heisst, man nimmt einen Hammer und hämmert damit.

Man beziehe diese Analogie (nein, liebe Hip-Hopper, das hat nichts mit "am arsch ... zu tun) das mal auf Sprache. Ihr sprecht, also "tut" ihr sprechen. Und mit was spricht man? Mit Sprache. Richtig. Ihr wisst aber nicht, was Sprache ist. Woher ich das weiss? Ich habe mir Euer Sprech-Gedöns schon oft angehört. Tausende Male. Ihr könnt es nicht, ihr wisst es nicht, ihr "tut" es einfach nicht. Lernt Sprechen!!! Und danach benutzt ihr Sprache, all ihr bildungsfernen in diesem unserem Land. Benutzt die Sprache, Sprache ist eine Waffe, lernt endlich, die Waffe, die ihr gerne bedienen wollt, auch zu bedienen. Dann klappt das auch mit dem Gehörtwerden. So lallt ihr euresgleichen unverständliches dummes zeug vor, und das nutzt gar nichts. Klopft Euch gegenseitig auf die Schultern und findet Euch gegenseitig total cool. Oder disst euch gegenseitig. Es ändert nichts. Ihr bleibt auf immer aussen vor, wenn ihr nicht die Waffen der Gesellschaft nutzt, auf deren Nutzung sie reagiert und mithilfe derer Ihr Euch Gehör verschaffen könnt. (Oder wollt Ihr einfach nur auf einfachste Weise absahnen, wie der grosse Bushido (wir nennen ihn hier mal den Akkusativ-Killer) und sein depperter Kollege Sido? Vergesst es ... soviele Dumpfbacken gibt es in Deutschland nicht, dass die Euch alle ernähren könnten.

Ihr begeht also einen ganz schweren taktischen Fehler, wenn ihr Eure Energie in die falsche Richtung lenkt. Ihr werdet damit nur erreichen, dass ihr niemals was erreicht. Erlernt die Waffe Sprache ... das bringt was.

Ist echt cool, wenn man richtig sprechen kann. Andere verstehen einen nämlich dann viel bessser. Ausserdem hilft Sprechenkönnen tatsächlich dabei, auch richtig denken zu können. Was man nämlich nicht sprechen kann, das kann man auch nicht denken. Und wenn ich mir Euer Sprechen anhöre, dann weiss ich, was ihr denkt. :-( Und das ist peinlich ...

Und man hört ja deutlich, was ihr alle nicht denken könnt. Ihr schlagt es uns anderen ja lauthals um die Ohren. Was wollt ihr eigentlich? Teilt es uns mit ... in Deutsch, oder Englisch, oder Türkisch, oder Russisch, oder sonstwie ... aber bitte in einer Sprache!!! ("Say it in broken english ..." Marianne Faithful, kennt ihr nicht, Fehler!) Niveaumässig bitte oberhalb von Schweinegegrunze und Affengekreische. (Sorry, liebe Schweine, sorry, liebe Tierschützer, das sollte keinen Abwertung von Schweinen sein, oder Affen, oder gar Katzen ... oder sonst von irgednwas, was wenigstens einen IQ hat ...)

Die Inhalte, die Ihr, liebe HipHopper, verbreitet, sind ausserdem unverständlich, weil sie so dümmlich daherkommen, weil Ihr nicht denken könnt, weil Ihr nicht sprechen könnt ... hatten wir schon. Also bleiben von Eurem Gestammele eben nur diese nebulösen Satzfetzen über, die keinen Inhalt haben, die überflüssig sind, die von keinerlei Erkenntnis getrübt sind. Und wieder sind wir an dem Punkt, wo ich euch sage: Lernt sprechen, dann versteht man Euch. Eine Sprache ist eine Übereinkunft zwischen Menschen, damit sie sich gegenseitig Mitteilungen machen können. Ihr verhindert es selber, dass man Euch versteht.

Die Musik ... ok, da reden wir nachher drüber, wenn wir denn vielleicht irgendwann mal miteinander sprechen können. Ich habe allerdings wenig Hoffnung ... also: Vergesst es einfach, haltet den Rand und sucht euch ein ungefährliches Hobby. Bierdeckel sammeln, das kann auch cool sein.

Zum Kotzen ist auch dieses ganze dämliche Rumgefuchtele, das ist nicht mal ein Style, das ist gefährlich, Ihr stecht anderen irgendwann nochmal die Augen aus ... (Und diese Hosen, mein Gott ... und Kapuzensweatshirts ... wo kriegt Ihr diese Fummel eigentlich her?)

(Und sagt Euren Produzenten mal, die sollen nicht kiffen, das versaut den Sound, der ist nämlich auch regelmässig Scheisse ... und man wird dumm davon. Achso, das ist ja egal ...)

Wo der Unterschied zwischen Musik und Sound und Style ist? Tja, das, liebe HipHopper, lernen wir dann beim nächsten Mal ... wenn Ihr dann mal etwas Deutsch gelernt habt und nicht mehr ganz so blöde daherkommt und wir miteinander "sprechen" können.
Eingestellt von WhiteAxxxe um 4:44 AM 0 Kommentare
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Friday, July 03, 2009

Michael Jackson ist tot und CNN ist ein rassistischer Arschloch-Sender

Der folgende Artikel ist übernommen von

BigOzine / BigOfeature - Why so quiet Singapore?

==========

THE PERSECUTION OF MICHAEL JACKSON
July 2, 2009 – 3:17 pm

When the bulletin that Michael Jackson had died flashed across the screen, writer Ishmael Reed was prepared for TV at its worst and he wasn’t disappointed. The man wasn’t cold before the familiar adjectives were rolled out - “weird”, “bizarre”, “eccentric”. As Reed said, with the absence of black and Latinos from journalism, the media have become a spare all white jury always ready to take down a black celebrity for the entertainment of the types who used to attend those acts created by P.T. Barnum.

Last Thursday, while working on some writing deadlines, I was switching channels on cable. On CNN they were promoting “Black In America,” an exercise meant to boost ratings by making whites feel good by making blacks look bad, the marketing strategy of the mass media since the 1830s, according to a useful book entitled “The Showman and the Slave,” by Benjamin Reiss. The early penny press sold a “whiteness” upgrade to newly arriving immigrants by depicting blacks in illicit situations. By doing so they were marketing an early version of a self esteem boosting product.

One of the initial sensational stories was about the autopsy of a black woman named Joice Heth, who claimed to be George Washington’s nurse and over one hundred years old. It was the O.J. story of the time. Circus master, P.T. Barnum, charged admission to her autopsy, which attracted the perverted in droves.

And so, if the people broadcasting cable news appear to be inmates of a carnival, there is a connection since the early days of the mass media to that form of show business. According to Reiss, early newspapers were not only influenced by P.T. Barnum, but actually cooperated with him on some hoaxes and stunts.

I would classify CNN’s “Black in America” as a stunt. In preparing for a sequel to the first “Black In America,” which boosted the networks ratings (the O.J. trial saved CNN!), CNN rolled out the usual stereotypes about black Americans.

Unmarried black mothers were exhibited, without mentioning that births to unmarried black women have plunged since 1976 - more than that of any other ethnic group. Then we got some footage that implied that blacks as a group were homophobes even though Charles Blow, a statistician for The New York Times, recently published a chart showing that gays have the least to fear from blacks.

Recently, the media perpetrated a hoax that blacks were responsible for the passage of Proposition 8, the California proposition that banned gay marriage. An academic study refuted this claim, but that didn’t deter The New York Times from hiring Benjamin Schwarz to explain black homophobia. Schwarz is the writer who wrote in The Los Angeles Times that blacks who were victims of lynchings in the south were probably guilty.

In the last “Black in America,” Soledad O’Brien, CNN’s designated tough love agent against the brothers and sisters, scolded a black man for not attending his daughter’s birthday party. The aim of this scene was meant to humiliate black men as neglectful fathers. Ms. O’Brien won’t be permitted by her employers to mention that 75 per cent of white children will live at one time or another in a single parent household and that the Gov. of South Carolina’s not showing up for Father’s Day isn’t just a lone aberration in “White America.”

How would CNN promote a “White in America?” The thousands of meth addicts who have abandoned their children? The California rural and suburban white women who do more dope than Latino and black youth? The suburban Dallas white teenagers who are overdosing on “cheese” heroin? Why not? Can’t get State Farm, Ford and McDonald’s to sponsor such a program? All of these companies are sponsoring “Black in America,” the aim of which is to cast collective blame on blacks for the country’s social problems. For ratings.

During CNN’s carnival act disguised as news, the scene of Zimbabwe’s Prime Minster being urinated upon by a monkey while sitting in his garden drew snickers in the newsroom. This is what passes for coverage of the African continent by CNN.

When the bulletin that Michael Jackson had died flashed across the screen, I was prepared for TV at its worst and I wasn’t disappointed. The man wasn’t cold before the familiar adjectives were rolled out. “Weird, bizarre, eccentric,” the traditional language used to disparage artists by the bourgeoisie. Dan Abrams, who made his reputation by convicting O.J. Simpson before the opening arguments of his criminal trial, made a snarky comment about Jackson’s weirdness. Mr. Abrams, a higher up at MSNBC, employs a Hitler admirer named Pat Buchanan. Given Abram’s background, why isn’t that considered weird?

Former Calfornia poet laureate Al Young called to inform me that CNN’s Jeffrey Toobin, another O.J. alumni, and a man who said that blacks shouldn’t be “patted on the head” or “patronized” for believing in O.J. Simpson’s innocence, had made some ugly comments about Jackson. (A star who has had at least a dozen facelifts called into the “Larry King Show” to comment about MJ’s altering his appearance).
It was the prosecution of Michael Jackson by District Attorney Thomas W. Sneddon Jr, who, among other things, violated Jackson’s fourth amendment rights, and made disparaging remarks about the star during a press conference, and the side-show pro prosecution media coverage that killed Jackson.

Also weird was MSBC’s Savanah Guthries’ air-headed depiction of the trial. (For a list of Ms. Guthries’ false reportings see MediaMatters.com). She said that the evidence against Jackson in the trial was “devastating.” So devastating that some legal experts said that Jackson should never have been brought to trial and that the aim of the trial was to seek a pound of flesh from Jackson for being uppity and for putting the name of Thomas W. Sneddon Jr., a vindictive District Attorney, into a song.

In my opinion it was the prosecution of Jackson by this District Attorney, who, among other things, violated Jackson’s fourth amendment rights, and made disparaging remarks about the star during a press conference, and the side-show pro prosecution media coverage that killed Jackson.

In my lengthy examination of the trial printed in my book, “Mixing It Up, Taking on The Media Bullies,” I concluded that though millions of Jackson’s fans celebrated his acquittal, the District Attorney, who was allowed to squander the California taxpayers’ money so that he might humiliate a rich black man, whom he felt had sassed him, was the victor. At the beginning of the trial, Jackson was dancing on top of a van. During the trial he had to be hospitalized. At the end, he was a frail emaciated wreck.

Because of the malicious prosecution of Jackson by Sneddon and Sneddon’s claque in the media, Jackson will always be regarded as a pedophile. (When the trial opened, a USA Today/CNN/Gallup Poll found that 72 per cent of whites and 51 per cent of Blacks believed that the charges against Jackson were “Definitely” or “Probably” true.)

Wherever “Mad Dog” Sneddon, this hateful man might be in his retirement, he can gloat over the death of the man against whom he waged a vendetta with all of the power of the state at his disposal. Sneddon even tried to introduce photos of Jackson’s genitals during the 2005 trial, which proved too much even for the pro prosecution judge.

Of course, none of Sneddon’s abuse or the abuse of Jackson by his accusers was mentioned by an old corporate media, out of touch and on life supports. For infotainers like Katie Couric, Jackson’s father Joe was MJ’s sole abuser. In the eyes of yesterday’s media, black fathers are the principal actors in domestic violence.

Guthrie also said that the prosecution “had conducted mini trials within the trial,” which brought up “a whole history of prior bad acts of molestation.” She was referring to the 1994 case in which Jackson was accused of pedophilia by a youngster who, according to writer Mary Fisher, a serious journalist, was used by his father to wrest some cash from Jackson. In”Mixing It Up,” I summarized Mary Fisher’s serious and thorough investigation that was originally published in GQ, October, 1994, under the title “Was Michael Jackson Framed?” Jackson settled out of court because Johnnie Cochran didn’t want him to face one of those all white suburban juries that O.J. faced.

Fisher wrote: “It’s a story of greed, ambition, misconceptions of part of police and prosecutors, a lazy and sensation-seeking media and the use of a powerful, hypnotic drug. It may also be a story about how a case was simply invented.”

Fisher claimed that the first case arose from the ambitions of the 13-year-old accuser’s stepfather, Evan Chandler, who exploited Jackson’s friendship with his son. At one point, he asked Jackson to build him a house. Fisher said that the child denied being abused by Jackson until he was administered the drug sodium amytal, which is known to induce false memory. Chandler refused to be interviewed for the article and refused to appear on the Today Show, where Fisher repeated her charges before a nationwide audience. She said that the whole scheme was concocted by the child’s stepfather to destroy the superstar.

None of the media descriptions of Jackson’s career, including a superficial pop-driven survey of the star’s career by Anderson Cooper, referred to the 2005 plaintiff’s lies and his mother’s shabby history of conning individuals and institutions including J.C. Penney’s, which she accused of sexual abuse. She claimed that she had been “fondled inappropriately” by store personnel. Documents also hinted that “…the mom rehearsed her children to corroborate her story.”

During the 2005 trial, Jackson’s Attorney, Tom Mesereau Jr., got the teenage boy to admit that he lied under oath during the J.C. Penny case. USA Today reported on March 1, 2005, that the mother used the boy as a prop to get money from Mike Tyson, Adam Sandler, Jim Carrey, Jay Leno and others, “even though insurance was paying his bills.” Linda Deutsch, one of the last of hard-nosed shoe leather journalists, reporting for the Associated Press on March of 2005, said that Mesereau got the 15-year-old to admit that he’d told Jeffrey Alpert, a school official that “nothing happened” between Jackson and him.
Because of the malicious prosecution of Jackson by Sneddon and Sneddon’s claque in the media, Jackson will always be regarded as a pedophile.

Connie Keenan, editor of Mid Valley News, wrote of a hoax that the boy’s mother perpetrated on that newspaper. She made a pitch that her son needed medical care and that she had no financial means to provide it. During the first week of the newspaper’s appeal, the mother received US$965 in donations. It turned out that the boy was being treated at Kaiser Permanente in Los Angeles with no cost to the family. Connie Keenan concluded that “My gut level, she’s a shark. She was after money. My readers were used. My staff was used. It’s sickening.”

While referring to Jackson as “bizarre” none of the cable reporting about Jackson’s death cited the bizarre courtroom testimony of the plaintiff’s mother, Janet Arvizo. At one point during her testimony, she said that feared her children would disappear from Neverland, Jackson’s ranch, in a hot air balloon.

On Apr 18, 2005, Agence France-Presse reported “The mother of Michael Jackson’s young molestation accuser claimed that she feared her children would be spirited away from the star’s Neverland Ranch in a hot air balloon. In some of the most bizarre testimony of Jackson’s frequently surreal trial, the woman revealed that she told police she feared her three kids would vanish from Neverland into California’s blue skies.

“Did you tell the sheriff that you thought your children might disappear in a hot air balloon from Neverland?” Jackson’s lead lawyer Thomas Mesereau asked the woman under cross-examination.
“I made them aware,” she said.

Finally, in November of 2006, according to TMZ, Janet Arvizo pleaded no contest to a welfare fraud charge in Los Angeles. She was ordered to 150 hours of community service and to pay $8,600 in restitution. During Jackson’s trial, Arvizo invoked the Fifth regarding welfare fraud. Seems that she applied for welfare even though she’d received a $150,000 settlement from J.C. Penny’s. Even with the mother’s behavior and the boys lies, Nancy Grace, commenting on the death of Jackson, said that she was surprised by the not guilty verdict in the Jackson trial. No wonder Ms. Grace has been called” a cheerleader for the prosecution.”

Yet, these journalists insist that their news product is superior to that of bloggers. (Journalistic bottom feeder, Diane Dimond, a Sneddon fan and Jackson stalker was invited by MSNBC to weigh in during which she was allowed to engage in doofus speculation much of it ugly about Jackson’s life and death.)

GQ’s Mary Fisher accused her colleagues of lazy journalism of the sort that defamed Jackson in life and in death. Maureen Orth from Vanity Fair didn’t read Mary Fisher’s findings. She was on the Chris Matthews Show accusing Jackson of “serious felonies” involving pedophilia. Another reporter who seemed to nullify the 2005 Jackson jury’s decision was “Morning Joe’s” adjunct bimbo, Courtney Hazlett.

She said that there would be no pilgrimage to Neverland as there was to Graceland because “bad things happened at Neverland.” We are led to believe that Presley and his entourage spent their days at Graceland drinking milk and reading each other passages from the scriptures. All of these opinions seem to indicate that cable’s talking heads have taken it upon themselves to nullify the judgment of juries whenever they please. This all white electronic jury has placed itself above the law.

But at least Jackson didn’t suffer from the kind of hi tech lynching accorded the tragic Patsy Ramsey. For years cable, which now not only calls elections but acts as judge and jury, accused her of murdering her child. Only after her death was it found that she was innocent. If the reporting on Jackson’s death by the media wasn’t salacious and ignorant enough, it didn’t get any better the next day, June 26.

Ignoring Jackson’s philanthropic pursuits and contributions to 40 charities, on the “Today Show,” it was all about what happened to all of the nigger’s money and whether he died from too many drugs and what’s to become of his children, questions meant to attract the prurient. Again, Diane Dimod was invited on to spread scurrilous unconfirmed rumors about the dead star.

Some of the modern day carnival barkers like Chris Matthews expressed surprise that Jackson’s death resulted in such an outpouring of worldwide mourning. This is what happens to people like Matthews who dwell in an insulated white supremacist bubble (that includes the Anglo wannabe and Churchill admiring Irish among them) which holds that a narrow cultural strip between New York and Washington represents the world.

I would like to have seen more independent African-American journalists comment on the passing of Michael Jackson, but, according to Richard Prince, who runs a media blog for the Maynard journalism Institute, hundreds have lost their jobs over the last two years, including Pulitzer Prize winners like Les Payne.

With the absence of black and Latinos from journalism, the media have become a spare all white jury always ready to take down a black celebrity for the entertainment of the types who used to attend those acts created by P.T. Barnum.

Note: Ishmael Reed is the publisher of Konch. His new book, “Mixing It Up, Taking On The Media Bullies”, was published by De Capo. The above article was posted at Counterpunch.org.

D.S.
They wanna get my a**, dead or alive.
You know he really tried to take me down by surprise.
I bet he missioned with the CIA.
He don’t do half what he say.
Dom Sheldon is a cold man
Dom Sheldon is a cold man
Dom Sheldon is a cold man
Dom Sheldon is a cold man
He out shock in every single way.
He stop at nothing just to get his political say.
He think he hot cause he’s BSDA.
I bet he never had a social life anyway.
You think he bother with the KKK?
I bet his mother never taught him right anyway.
He want your vote just to remain TA.
He don’t do half what he say.
Dom Sheldon is a cold man
Dom Sheldon is a cold man
Dom Sheldon is a cold man
Dom Sheldon is a cold man
Dom S. Sheldon is a cold man
Dom Sheldon is a cold man
Dom Sheldon is a cold man
Dom Sheldon is a cold man

Lyrics: Michael Jackson
Track found on the HIStory album

+ + + + +


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Eingestellt von WhiteAxxxe um 3:38 PM 1 Kommentare
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Labels: CNN, Michael Jackson, Prosecution, Racism, Rassismus

Tuesday, June 09, 2009

Beatles - Get Back (1969)

The greatest rock-song of all times!!!!!

Meine persönliche, aber nicht nur gefühlsmässige Einschätzung.

Und dieser Song war heute vor genau 40 Jahren Nr1. Berechtigterweise. Und ich kann mich genau daran erinnern ... wie es mich schier umgehauen hat, was da aus dem Radio kam. Gnade der frühen Geburt ... Glück gehabt.

Was hat mich umgehauen?? Das Intro, es kommt fast schon schleichend mit einem absolut zwingenden Groove daher, man kann Bassdrum, geshuffelte Snare, Bass und die tieferen Saiten der E-Gitarren und die linke Hand des Pianisten auf einem Wurlitzer nicht unterscheiden, alles verwebt sich in einen mörderischen, hinterhältigen Teppich zu einem Rhythmus, der so tight gespielt ist, dass es die Steuerung des eigenen Herzrhythmuses übernimmt. Innerhalb von 5 Sekunden ist man synchronisiert.

Der Sound kommt gewaltig aber nicht erschlagend daher. Alle Instrumente bewegen sich im gleichen, dunkleren Frequenzbereich, und dass oberhalb davon noch etwas sein könnte, wird nur durch gelegentliche synkopierte Beckenschläge von Ringo klargestellt, die unterlegt werden mit dunklen Akkorden der E-Gitarren, die nach Sext- und Quart-Vorhalten über einen Querstand wieder in den alles dominierenden Grundakkord auflösen.

Und dann erscheint Paul's Stimme ... aus dem Nichts schwingt er sich noch über den tieffliegenden Teppich ...

Jojo was a man who thought he was a loner
But he knew it wouldn't last.
Jojo left his home in tucson, arizona
For some california grass.

Samtweich, eindringlich, und dabei den Raum über dem grossen Dunkel zersägend. Angedeutetes Blues-Schema, was sich aber mit einem kurzen Ausflug zur IV. Stufe zufriedengibt, man erwartet weder später die V. Stufe, noch vermisst man sie irgendwann. 2 Akkorde, die die gesamte Welt des Rock-n-Roll darstellen und umfassen, vereinnahmen und wieder ausspucken.

Im Refrain wird die Sache dann gesteigert, zu einem einmal-gehört-und-niemals-wieder-vergessenen "Get Back ... ", welches minimalistisch vorführt, wie weniger mehr sein kann. Die Steigerung wird lediglich durch dezente Mehrstimmigkeit im Gesang erreicht und eine Verdopplung der Häufigkeit der Sext/Quart-Querstand-Sequenz. Dynamik wird wahrgenommen durch minimalistischste Veränderung des Arrangements.

Die Band weicht eine Idee zurück, oder nur einen Hauch einer Idee, und schafft durch diese Geringfügigkeit eine doch riesengrosse vor sich hinschwingende Arena für die folgenden Gitarre- und Piano-Soli. Frenetisch ... alles mündet in einem grandiosen Zusammenbruch, der von Paul seufzenderweise kommentiert wird. Man kann das Luftholen und den Herzschlag im Nichts des Breaks hören ... und wird durch Ringos Snare-Fill wieder aus dem atemlosen Nirvana zurückgeholt in den allumfassenden Groove und ein neuerliches "Get Back ..." . Das alles ist dazu angetan, dem Hörer den Rest zu geben, den Groove wieder neu zu erfinden, und den gesamten Planeten zum mitswingen zu zwingen.

Unfassbar ... mit minimalsten Mitteln wird hier Rock-Musik von jenseitiger Qualität zelebriert. Der Sound ist jenseits aller Bewertung ... überirdisch. Dicht, aufreizend, dunkel, 10 cm vor dem Gesicht und vor den Lautsprechern, intensivst und packend.

Wie gesagt, das beste Stück Rock-Musik aller Zeiten ... und es wird auch in 100 Jahren noch ein Massstab sein.

Jedenfalls hat mich dieses Stück (und "Voodoo Chile" von Jimi Hendrix) dermassen von den Socken gehauen, dass ich von da an eine Gitarre haben wollte, eine elektrische, diese auch bekam ("I got my first real six-string ... in the winter of '69 ... " oder wie war das?? Ich war damals - 1969 - 12 Jahre alt. Zu Weihnachten hatte ich sie dann, meine "first real six-string", elektrisch, klar, "real six-string" heisst ja elektrisch ... ), und im Grunde genommen mich seitdem auf der musikalischen Suche nach meinem "Get Back" befinde ...


Get back, get back.
Get back to where you once belonged
Get back, get back.
Get back to where you once belonged.
Get back jojo. go home
Get back, get back.
Back to where you once belonged
Get back, get back.
Back to where you once belonged.
Get back jo.


Dieser Artikel musste mal sein ... lag mir seit 40 Jahren am Herzen. :-)
Eingestellt von WhiteAxxxe um 5:07 AM 0 Kommentare
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Labels: Beatles, beste Band der Welt, Brian Epstein, George Harrison, Get Back, Groove, John Lennon, Paul McCartney, Ringo Starr, Sir George Martin

Sunday, April 19, 2009

Gig im Waterhole, Amsterdam mit Shawn Harvey's B-57

Hier einige Bilder aus Amsterdam. Vor, während und nach dem Gig im Waterhole.






Alle Bilder gibts es hier:

Amsterdam, Waterhole mit Shawn Harvey's B-57
Eingestellt von WhiteAxxxe um 11:51 AM 0 Kommentare
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Labels: Amsterdam, B-57, Shawn Harvey, Waterhole, WhiteAxxxe

Monday, January 26, 2009

NR1-Hits auf Neil Young’s “Living With War Today” (USA-Protestsong-Charts)

Der Link zu o.a. Seite dürfte ja bekannt sein, steht hier auch im Blogroll gelistet (unbedingt anschauen, hochinteressant und sehr politisch). Trotzdem nochmal der Link zu den Charts, DEN Protestsongcharts in den USA: http://neilyoung.com./lwwtoday/lwwsongspage.html

Bisher haben wir 3mal einen Nr1-Hit dort gehabt. 2mal mit dem gleichen Stück “Lord, There Ain’t Everything OK”, einmal bisher mit “Are You Allowed To”, was in den letzten Wochen aus den Untiefen um die 200 bis in die Top Ten wieder aufgestiegen ist. Wir werden hier die jeweils aktuellen Positionen der Songs auflisten.


Lord, There Ain’t Everything OK (klicken zum anhören)


White-X-Blues-Band - Lord, There Ain't Everything OK"


2009-01-26 12
2009-01-19 18
2009-01-12 09
2009-01-05 15
2008-12-29 14
2008-12-22 5
2008-12-08 3
2008-12-01 279
2008-11-24 279
2008-11-17 281 ??????
2008-11-10 1 !!!!!!!!
2008-11-03 3 the day before judgement-day. Obama won!
2008-10-27 286 !!!???
2008-10-20 6
2008-10-13 6
2008-10-06 2
2008-09-29 1 !!!!!!!!


2008-09-22 3
2008-09-15 3
2008-09-09 4
2008-09-01 4
2008-08-25 6
2008-08-18 3
2008-08-11 14
2008-08-04 19
2008-07-28 new listed
.
.

Are You Allowed To (klicken zum anhören)


White-X-Blues-Band - Lord, There Ain't Everything OK"

2008-01-26       06
2009-01-19 05
2009-01-12 10
2009-01-05 08
2008-12-29 10
2008-12-22 4
2008-12-08 7
2008-12-01 5
2008-11-25 5
2008-11-04 4
2008-11-10 9
2008-11-03 19
2008-01-21 1 !!!!!!!!
2008-01-14 7
2008-01-07 27
2007-12-31 7
2007-12-24 18
2007-12-17 11
2007-12-10 58
2007-12-03 72
2007-11-26 54
2007-11-19 74
2007-11-12 179
2007-11-05 175
2007-10-29 21
2007-10-29 2
2007-10-22 2
2007-10-15 7
2007-10-08 13
2007-10-01 17
2007-09-24 50
2007-09-17 new listed
.
.

So, nachdem wir hier nun also ein bischen angegeben haben, harren wir den Dingen, die da weiterhin kommen werden!


Vielen Dank für Ihre Aufmerksamkeit, und immer dran denken: Yes, we can! :-)


















Eingestellt von WhiteAxxxe um 10:04 AM 0 Kommentare
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Labels: Bush, Charts, Hit, Living With War Today, Lord There Aint Everything Ok, Neil Young, Nr1, Obama, Top, White-X-Blues-Band, WhiteAxxxe

Thursday, January 15, 2009

on NEIL YOUNGs LWWT: WhiteAxxxe - Are You Allowed to

Again we are among the Top10 on NEIL YOUNGs "Living With War Today" (US-American-Protestsong-Charts) ... on position 7.

We were on position 2 for 2 weeks last year. Its always going up and down. :-))
Nevertheless ... click here for voting and listening to the song.

Please support us and buy the song here!

Thank you very much for supporting us!
Eingestellt von WhiteAxxxe um 10:03 AM 0 Kommentare
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